Confessions of a Plan Addict

I am a floor plan addict. Andrew Alpern’s book “Apartments for the Affluent”,
replete with plans, was largely responsible for getting me into real estate.
Night after night I pored over the plans of apartments large and small
(including the one, at 635 Park Avenue, in which I had grown up) with which the
book was filled. I was hooked! During my first years in the business, I spent
every spare moment with the Select Register, volume after volume containing
plans for most of the city’s apartment houses. And sooner or later I got to see
them all! It was, and remains, a fabulous perk of the job.

People often ask me, “Isn’t it hard for you, who see so many extraordinary
apartments, not to want to live in them?” Honestly, the answer is no. It’s like
visiting the Met; I don’t expect to own the paintings there, but I do love to
see and appreciate them. My wife and I are perfectly happy in our cozy 3 bedroom
apartment on Central Park West, and I feel no need to move. Mostly, apartments
look like inventory to me. But there are some exceptions – usually the quirky,
the unexpected, the surprising – these are the ones I can imagine inhabiting in
an alternate life. Here’s a list of a few of them, in no particular order, and
why:

  • The “C” line duplexes at 1220 Park Avenue. 1220 is probably
    my favorite Candela building, for a variety of reasons. At 95th
    and Park, it will never be TOO fancy. The proportions are both
    grand and welcoming. Nothing feels overscaled, as in some of the
    grander Candela buildings downtown. These duplexes, which don’t
    start until the 6th floor, have beautifully proportioned,
    comfortable rooms radiating off a demi-lune staircase. They face
    south over the Armory and are filled with light. They epitomize
    the best of Candela’s Italianate grace.
  • In a different vein, but equally wonderful, are the “K” line
    duplexes towards the top of the Beresford. They don’t face the
    Park; their exposures are primarily North and West. Because the
    building is setting back on each floor at this height, each of
    these apartments is different (there are 4 of them, starting on
    the 15th floor and culminating with the penthouse). They all
    contain three bedrooms, oddly shaped, with cool piercing light
    and unexpected windows. Emory Roth’s high ceilings and unadorned
    Art Deco aesthetic makes these apartments feel as if they are
    floating above New York. The effect is magical.
  • The apartments at 29 and 39 East 9th Street have always
    filled me with a sense of tranquility. In the front appear
    modest five room suites with story-and-a-half high living rooms
    and a woodburning fireplace. In the back there are charming
    little duplexes, four and a half rooms in size, facing the
    buildings across the courtyard but nonetheless replete with a
    uniquely New York sense of glamour. The first one I ever saw,
    back about 25 years ago, had leopard skin carpeting, which
    seemed so downtown to me. I never forgot it.
  • I am a huge fan of the architectural work of the Blum
    brothers, George and Edward, who built a number of
    unconventionally glamorous buildings, mainly on West End and
    Park, in the decade between 1910 and 1920. My favorite is 610
    West End Avenue, built in 1912. Modestly perched on the
    southeast corner of 90th Street, the exterior has lovely terra
    cotta detailing but gives no hint of the sprawling apartments
    which lie within. I particularly love the “B” line, which has
    three huge contiguous entertaining rooms-living room, reception
    room, dining room-spanning about 70 feet and including a
    fabulous dining room bay window looking south over brownstones.
    The three bedrooms are oversized, and the master has both an
    enormous bathroom and a commodious dressing room. This is the
    perfect place for a salon, or a book club dedicated to Proust.
  • I first discovered several of these apartments in Alpern’s book. Others I
    found while cramming my head with plans during off hours at the office in my
    early years on the job. Not all apartments live up to the titillating promise of
    their plans, and some, especially in buildings of the 50s and 60s, can be better
    than the plans suggest. But for the most part, the plan is a key to the kingdom:
    you hold it in your hand (or click on it online) and see if it creates within
    you that telltale little shiver, that Aha moment, when you realize, this is a
    good one! This could work!.

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